Two-Time Emmy Winner
Writer of Games, Books, TV
I was born to play. My dad owned a strip mall arcade called "Oz" where I was weened on popcorn and Zaxxon, and once I marathoned Combat on my Atari 2600 for 48 hours straight. But everything changed when I discovered the “Red Box” Dungeons & Dragons Basic Set in fifth grade.
Soon, my life was dedicated to world-building, weaving narratives with gameplay, and drawing my friends' dead characters (slain by me, their Dungeon Master.) My obsession with cross-media storytelling turned me into a writer and animator, which led me to college at CalArts in Valencia, CA. I made short films that screened around the world at festivals such as Cinequest, Anima Mundi, and the BBC British Short Film Festival, plunging me into the trenches of Hollywood. I did all sorts of odd things as I climbed the ladder, like throw foam bricks at the head of Tom Kenny (SpongeBob Squarepants), blow up Matt Damon (Team America), and launch Jar-Jar Binks into deep space (Robot Chicken: Star Wars), eventually winning an Emmy for animation.
I worked my way up in the entertainment industry and started my career as a screenwriter. Over the past 18 years, I have written for major studios like Sony, DreamWorks, and Disney, winning another Emmy for writing on Elena of Avalor. I also sold my own IP, got a few pilots produced, and wrote a trilogy of sci-fantasy novels for Disney-Hyperion called The Books of Ore, authoring 1200+ pages of original published content.
With a lifetime of cross-media expertise and telling stories for many popular brands, I have returned to my true love of games. Most recently, I’ve been a Senior Writer at System Era where I shipped three titles in the ASTRONEER universe. In my spare time, I have resumed the joys of my youth, slaughtering my friends' characters as their beloved yet dreaded Dungeon Master.
Like I said. I was born to play.
Check out my interview with The Corner of Story and Game
LIVE from my Office Dungeon!
testimonials
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"Y’know when you work with someone who is so good at what they do that you think to yourself, 'Damn. That’s a person I always want to work with on my team'? Yeah, that person is Cam. He was already a powerhouse writer before stepping into the game industry, and he’s continued that trend throughout his time as a Senior Writer on my narrative team. If you’re ever in the position of being on the fence about hiring Cam, don’t be: He will exceed your expectations with his work, ability, and ingenuity.
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He’s an excellent storyteller, full stop. His comedy writing is impeccable, as is his drama, horror, romance, fantasy, and science fiction. Whether or not he’s written a specific genre before, his work reads like he’s the foremost expert in the subject matter. His character writing and dialogue are also ridiculously good. He knows how to hook and audience and get them invested. He’s the definition of 'easy to work with' and both takes and applies feedback with ease..." (Cont'd)
— Mia Goodwin, Narrative Director
System Era Softworks, Playful Studios (Former)
